Custom page · the room itself

Inside the story room

A long lacquered table seen from one end, with cream sheets laid in a path and empty chairs
The rail runs along the north wall. Sheets stand in the order they will be spoken.

The story room is the long room behind the Nawamin address. It is where a Board Narrative Sitting is rehearsed, and where a Witness Hour is heard. Visitors do not wander in. Pimchanok gives you the hour, and the door from the stair is shut while a sequence is up.

The rail

A brass rail holds the standing sheets at eye height for a seated person. The order is left to right, the same order as the spoken line. Appendix sheets are not on the rail. They lie in a stack at the right hand of the speaker, clipped with a heavier ring so they can be found by touch.

The chair

The speaker sits where the chair of a board would sit, with the rail in front and a small table for water. We sit to the side, not opposite. The point of the rehearsal is to hear whether the line can be said while the sheets are visible, not to perform for us.

The forty minutes

You say the line once, at a pace you could keep in the real room. We interrupt only when a sheet and a sentence disagree. After that pass, Kanya marks one revision: a sentence that snagged, or a sheet that pulled the eye off the argument. A second full rehearsal is a separate fee, listed with the other charges.

What you carry out

Printed sheets, the PDF, and the spoken line on a single card. The card is not a script to hide in a folder. It is the four minutes, in your words, with the comparisons named. If the sitting is in your own boardroom, we can rehearse there instead and leave the sheets with you the same afternoon.

If you want to see whether your pack belongs on that rail, start with the sitting itself or with a Witness Hour.

Read the board sitting